Bommalattam or puppet show Puppet shows are held in every village during festivals and fairs. The performance repertoire of Bharatanatyam, like other classical dances, includes nrita (pure dance), nritya (solo expressive dance) and natya (group dramatic dance). The dance has traditionally been a form of an interpretive narration of mythical legends and spiritual ideas from the Hindu texts. The dance is accompanied by music and a singer, and typically her guru is present as the director and conductor of the performance and art. Valartha Aaya Kalaigal 31 Dec nattupura kalaigal tamil katturai tamil kalaigal wikipedia.Bharatanatyam style is noted for its fixed upper torso, legs bent or knees flexed out combined with spectacular footwork, a sophisticated vocabulary of sign language based on gestures of hands, eyes and face muscles. Aaya Kalaigal 64 in Tamil PDF Windows Xp Microsoft Windows.These shows are very entertaining and hold both adults and children enthralled for many hours. The stories enacted in the puppet shows are from Puranas, epics and folklore. The puppeteers stand behind a screen and the puppets are held in front. They are manipulated through strings or wires.
![]() ![]() It is a very old form of dance practiced in the areas of Tamil Nadu. The songs sung during the dance are about gods and goddesses.One of the folk dance forms of Tamil nadu in India is Chakkai. They hold teak wooden pieces (7 × ¾ inch in size) between their fingers, which produce the sound. In this dance, eight to ten dancers stand in a circle or parallel lines. Folklore research scholars have found that Devarattam is a combination of ancient 'muntherkuruvai' and 'pintherkuruvai' of the ancient Tamil Kings. It was actually performed once a year near the temple. The music, which accompanies the dance form of Chakkai Attam, is usually devotional songs, that is, songs on Gods and Goddesses.Devarattam is a pure folk dance still preserved. They also form a circle and perform the dance. When the word ‘Chakkai’ is added to it, a special kind of dance is understood.While performing the dance the performers stand in parallel lines while dancing. The person leading the dance wears false beard and a mask decorated with shells to look like teeth. The dancers hold a kerchief in each hand and swing them as they dance. The soldiers and female dancers would form in lines and dance behind the chariot.Today, this dance does not have any songs but only danced to the beat of Urumi Melam, Thappu Melam and sometimes, a long flute. Sometimes even the king and his marshalls would dance on the chariot deck. They perform various stepping styles jumps. The dancers wear ankle-bells and hold anklets or silambu in their hands, which make noise when shaken. Kaman and Rathi, his consorts, are main characters.This dance is performed in temples during Amman festivals or Navaratri festival. The villagers separate themselves into two parties as Erintha katchi and Eriyatha katchi and a heated debate ensues. Kamandi or Kaman Pandigai This is celebrated to commemorate the puranic event when Manmada the God of Love was burnt to ashes by Siva in anger. The special qualities of the dance are quickness, alertness, while being careful not to hurt the other dancers by the swinging 'kol'. It is danced by both men and women, during festivals, auspicious days and weddings. Sticks one foot length are held in each hand and beaten to make a sharp, rasping sound as the dance proceeds with unique steps, twisting and turning. This is also known as Koladi, Kolkali, Kambadi Kali and Kolaattam. Kazhi Attam or Kolattam Kazhi means stick and games. Special songs were created to be sung while carrying the Kavadi Sindhu. Kavadi Aattam has its origin in this practice. In order to lessen the boredom of the long travel they used to sing and dance about the gods. However, no special dress or make up was used for this dance.The ancient Tamils when they went on pilgrimage, carried the offerings to the gods tied on the either end of the long stick, which was balanced on the shoulders. The dancers used to wear ankle-bells. This is mainly a religious dance, performed in worship of Lord Murugan, the second son of Siva. On top, bamboo strips are bent like a half-moon, covered with saffron cloth and further decorated on the sides with peacock feathers. It is done by balancing a pole with pots fixed on either end, filled with milk or coconut water.The poles are made from Purasai or Teak wood. ![]() As coloured ropes are used, this lace looks extremely attractive. With planned steps, the women skip over each other, which forms intricate lace-like patterns in the ropes. Pinnal Kolattam is danced with ropes which the women hold in their hands, the other of which are tied to a tall pole. This is performed by women only, with two sticks held in each hand, beaten to make a rhythmic sound. Gta 5 pc gamesKummi Kummi is one of the ancient forms of village dances of Tamil Nadu. Wooden sticks are covered up so that the performer will appear to look taller than usual, for viewers. By tying wooden sticks to the legs. The significance of the Pinnal Kolattam is the ups and downs of life, the mysteries of life that can be unraveled and beautiful tapestries can be woven by the sense of unity, understanding and systematic design.A dance performed with false legs i.e. This is performed for ten days, starting with the new moon night after Deepavali. Vedala Aattam is performed wearing a mask depicting demons. This beak can be opened and closed with the help of a thread tied to it, and manipulated from within the dress.Other similar dances are, Kaalai Attam (dressed as a bull), Karadi Attam (dressed as a bear) and Aali Aattam (dressed as a demon), which are performed in the villages during village get-togethers. This type of dance is also practiced during various religious ceremoniesMayil Attam is done mostly by women dressed as peacocks, resplendent with peacock feathers and a glittering head-dress complete with a beak. , The first line of the song is sung by the leading lady, which the others repeat. The women stand in a circle and dance clapping their hands rhythmically to lifting songs. This is performed by women many varieties of Kummi, such as, Poonthatti Kummi, Deepa Kummi, Kulavai Kummi, Kadir Kummi, Mulaipari Kummi, kothagiri kummi etc. The urumi is most often performed in two types of ensembles:Urumi melam ensembles usually consist of a melodic instrument, the double-reed Nadaswaram, a pair of double headed drums called pampai, and one to three urumi drums. When played in religious ceremonies and processions, the performance of specific beats on the urumi may induce spirit possessions or Trance. This double-headed drum is widely believed to possess supernatural and sacred powers. The women folk also participate in the dance.The urumi is a folk instrument typically played by the Dalit community. The urumi may also be heard on commercial recordings of film soundtracks and popular folk music. It performs for a number of festive occasions including dance-dramas, menstruation ceremonies, weddings, harvest festivals, and staged folk dances such as:- Kavadi Attam (a devotional dance to Lord Murugan)And many others. A typical naiyandi melam is composed of two double-reed nadaswaram, one or two thavil (barrel drums), a tamukku (kettle drum played with leather straps), a pambai, and an urumi. The naiyanti melam is the most common type of folk ensemble associated with ritual and dance.
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